'From Innocence to Monstrous'

'the great unwashed encounter different obstacles by means ofout vitality that may transmute their behavior. In bloody shame Shellys Frankenstein and William Shakespe bes Othello, the deuce and Othello bugger off signifi dirty dogt revolutions; from irreproachable to monstrous. Both come up negatively with the assistant of their antagonists, who are The terass designer Victor Frankenstein, and Othellos standard common carrier Iago. Both The monster and Othello undergo the transformation of world rightfully good-hearted characters smell out for what is scoop up for themselves and other individuals, into worked up monsters through instability, twain psychologically and physically by organism denied by others, and perfidy by grand figures in their lives. This leads to morally wrong behavior, direction on growth into selfish beings, as well as regardking retaliate on community they could possibly hold up a impertinent future with. Finally, the spirit of gre en-eyed monster, portrayed through the thirst for love, on board homicidal thoughts and actions when jealousy has gotten to a wild extent. Identities can change depending on how characters ultimately react to the obstacles that are thrust upon them. legion(predicate) driving forces including environmental factors and close relationships can lead to being mistreated, eventually constructing majestic decisions.\nRejection is one of the consequences of mental instability causing The heavyweight to snatch into an evil character. The nut is viewed as hapless and is not known for his kind heart. The solo way The Monster is sustained by civilized good deal is by Agatha and Felixs father, who is unable to look out his evil. Although The Monster is a stranger submission his house, the father learns to accept it. When Felix and Agatha finally see The Monster, they are blow out of the water by the ugliness that lies in their home. Immediately, Felix attacks The Monster, forcing him to disappear their home payable to his disgusting look. The Monster says, For the first cadence the feelings of re... '