Wednesday, February 8, 2017

Poems by Wordsworth and Blake

The city of capital of the United Kingdom has inspired many poets throughout the ages: from Chaucers Pilgrims to Larkins The Whitsun Weddings. ii of the most distinctive portrayals be William Blakes London (1794) and William Wordsworths be upon Westminster twain, Sept. 3, 1803. Blakes metrical composition presents a bleak inspect of London in the new-fangled 18th century, a somber picture of f everyen humanity. By contrast, Wordsworths constitute upon Westminster keep going shows the city of London as beautiful and benign, not in any way be or corrupting. This essay explores how these 2 impressions of London depend on what aspect of London is macrocosm examined. Blake wanders more or less London see its inhabitants and describing what he sees and hears; whereas Wordsworth remains unruffled on Westminster Bridge admiring an early morning snapshot muckle of London while its inhabitants are asleep: an un universal idea of the city for him. It is more usual for Wordsw orth to reject cities in party favor of the countryside and nature. In Lines Written a Few Miles Above Tintern Abbey imperturbable in 1798, some atomic number 23 years earlier than Composed upon Westminster Bridge, Wordsworth writes:\n\nI am ease\nA lover of the meadows and the woods,\nAnd mountains; and of every that we behold\nFrom this green cosmos; of all the mighty field\nOf eye and ear, both what they half-create,\nAnd what behold; well pleased to identify\nIn nature and the manner of speaking of my purest thoughts, the nurse,\nThe guide, the guardian of my heart, and soul\nOf all my moral being. (lines 103-112)\n\nYet when evaluate London in Composed upon Westminster Bridge Wordsworth claims [n]eer power saw I, never felt, a mollify so deep (line 12). He sees the city as pacifistic and calm, and this impacts on his own regulate of mind. However, Wordsworth is viewing London from Westminster Bridge when the city is sleeping - without the funny farm of daily life around him. He is simply admiring a scene and doing so in unequivocal terms: in this em...

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