Henry Vaughan?s ?Friends dead person? and Shakespe atomic number 18?s ?sonnet 18? some(prenominal) make use of scintillating visual imagery and repetitive conceit in their deli precise. Each investigates homosexual existence; praise 18 emphasizes its impermanence, while Friends Departed focuses on its divine nature. twain use conceits and their metaphysical construction in tack to enlighten upon the reader?s mind the imagery of feeling that they conduct to express for their benas.
?sonnet 18? is an elaboration on a conceit formed in the opening sentence of the poem. The verbaliser claims the subject matter is compar adapted to a summer?s day. In some ways this is used as a very supreme metaphor, as summer age are quite lovely and scenic. Summer, like most things, is imperfect; it consists of short days that tend to be ?shaken by rough winds.? and so mucklevass the subject to it is also actu bothy a system to improve the standing of the subject. It may be interpreted that comparing someone to a summer?s day has a negative con nonation to it; summer could also represent shallow beauty that qualifys on a cyclical whim. The metaphor continues passim the duration of the poem, going into detail slightly why the subject?s characteristics are optimal to those of summer. By the end of the poem, the talker begins to take the metaphor so seriously that he by chance/on purpose beings to refer to the subject of the poem as a summer?s day; he calls her ? equable? and refers to her ?eternal summer.? Vast amounts of imagery are used without the poem. It discusses the ?darling buds of May,? the ?gold complexion,? Death?s ?shade.? Vivid flesh out help dramatize the points the verbaliser unit makes. The structure is a move followed by answers and comparisons, all having a masculine rhyme scheme. The primordial theme of this poem is inpermanence. Summer days are short, seasons end, and tribe die. Despite all the flattery, the speaker realizes that if nothing be done, the subject?s ?eternal summer? would indeed end. T presentfore, despite all the time he?s spent talking nigh her seemingly divine features, he tells her that her beauty will be kept immortal not through their love hardly through this poem. Perhaps he thought that like the summer day that he referred to so much, their relationship was not indentured to last. Perhaps the reason why the speaker needed to carry through this poem was because he wanted to ensure that their love survives on paper even if it doesn?t survive in reality.
In ?Friends Departed,? Vaughan makes a conceit out of death and vision. The mystique of this poem comes from the in-person connection we make with the speaker. It permits us to truly empathize with him. We stand all felt loneliness at some point, and this speaker?s sense of emptiness touches something in each of us. We can only imagine the feeling of having all of your friends dead. The conceit plays a central part in the makeup of this poem. The speaker equates behavior and happiness with light and clear vision, while he identifies tail with death and obstructed vision. Throughout the poem, he suffers through the lousiness as his loved ones triumph in the ?world of light.? The speaker finds himself in a sort of unfortunate limbo; human nature makes him fear death, or at least vie to survive, but his loneliness gnaws at him, makes him wish he were in the other world with those he cares about. Again, this is all described through the lens of light as a metaphor. When talking about the presumed joyous diseased friends, words are used much(prenominal) as ?bright? and ?glows.? When talking about his loneliness, words are used such as ?faint? and ?mists.? The degree of positive connotation that an object or thought has varies directly with the level of visual clarity it is assigned. For example, when the speaker gets excited about the prospects and mysteries of death, he refers to it as ?shining.? Also, when he speaks about his current lonely life, he refers to it as ?mere glimmering and decays.
? The imagery used here describes not physical aspects but the speaker?s submit of emotional being. The chief reason why we are able to sympathize with him so is because he is particularly apt at expressing his feelings. ?And I alone sit ling?ring here? sends a powerful message because we have all been make to ?sit ling?ring.? The most powerful part of this poem is the last stanza because it contains the final desperation of the speaker. He pleads God to change something for him, for he surely cannot continue in the state he?s in. He realizes that he needs to either unwrap reminiscing about his departed friends, or else die and join them. To sack up it all forward he uses the two extremes of the conceit to describe it; he says that needs to either have his glasses cleaned off or else to be cured of his poor vision and not need glasses altogether. The glasses symbolize distractions from thoughts about his friends - he needs to either have them be improved or else be transfered to heaven, where he will no longer need those distractions because he will be exposed to the real deal.
? praise 19? and ?Friends Departed? are two different to that extent very similar works. While the speaker of Sonnet 18 attempts to win a girl?s heart, the speaker of Friends Departed wants to stop thinking about his friends. Nevertheless both are metaphysical works and use strong conceits to express their intents. They are similar through the style of metaphor used to start their main points and through the comprehensive imagery that?s seen passim each works. Through the use of metaphysical makeup and literary techniques, both Henry Vaughan?s ?Friends Departed? and Shakespeare?s ?Sonnet 18? really do ?seize the day.?Bibliography:Mabillard, Amanda. Analysis of Sonnet XVIII. Shakespeare Online. 12 Jan 2007. Web.
Friends Departed. Bartleby. 2009. Web.
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