Essay about Alfred Hitchcocks Rope - 1308 Words

To this day Rope, Alfred Hitchcock’s first color film, remains one of the most original motion picture dramas. With the exception of the opening credits, Rope was shot on one individual set located within a soundstage, similar to as if a play was being performed on stage. Despite the confined space the film occupied, the atmospheric anxiety carried on up until the very end. Furthermore, Hitchcock successfully created a deception, of the same repetitive shot. Nonetheless, during the one hundred and eight minute film, it’s hard not to notice the closeness Phillip and Brandon shared sexually together, making them homosexuals. The movie opened up on a street in the afternoon, directed towards an apartment where two young men were†¦show more content†¦As the party went on, the question â€Å"where’s David† occurred at an increasing rate. While the guests discussed the problem, no one could understand why the usually reliable David didn’t show u p to the gathering. Dissatisfaction began to build up but little did they know that his body was actually in the same room with them. In addition, Rupert Cadell played by the compelling Jimmy Stewart arrived to the party. During a short discussion, Brandon said, â€Å"Nobody commits murder just for the experiment of murder,† (Hitchcock 1948) as he pops the bottle of champagne, â€Å"Nobody except us† (Hitchcock 1948) leaving Rupert suspicious that something wasn’t the way it should be. Meanwhile, Brandon enjoyed relishing the situation and his self-certainty, but Phillip was only seconds away from completely falling apart as Rupert shot questions and innuendos left and right. Hitchcock had his ways with the camera, capturing Phillips’s emotions by â€Å"Generating terrific tension, as the spectator’s eye guided relentlessly to the significant detail at the significant moment† (Wood 78). Therefore, the audience is left feeling fully engaged w ith the way Phillip carried tension towards Brandon, due to Hitchcock’s â€Å"Suspense technique†(Wood 78). For instance, Brandon was clever, sneaky and had a spiteful mysterious humor. Yet, he seemed to get a thrill from the idea of getting away with murder. His heartlessly daring attitude was proof asShow MoreRelatedEssay about Sexual Frustration in Alfred Hitchcocks Rope2778 Words   |  12 Pagesmoral code did not apply. So infamous is the story of their murder and eventual detainment that it has become entrenched in American popular culture, with numerous books and films aspiring to recreate it in vivid detail. Amongst these, Alfred Hitchcock#960;s Rope (1948) stands out as an exemplary achievement both in its cinematic technique as well as its carefully executed plot, which exposes the psychological decomposition of the two murderers as their deed is gradually discovered. However, theRead MoreTheme and Technique in Films1212 Words   |  5 Pagesthe type of th e techniques depends on the theme of the film and how effective the filmmakers want to communicate their ideas. This essay aims at illuminating theme and technique in films basing its argument on Alfred Hitchcock’s movies; Notorious movie, Rope, and Strangers on the Train. Alfred Hitchcock was a director of movies and his place in the film studies is unrivalled. He is famously known due to his brilliant plots, witty dialogue, and his ability to tell stories visually. This unique abilityRead More Sexual Innuendoes in the Films of Alfred Hitchcock Essay example3477 Words   |  14 PagesSexual Innuendoes in the Films of Alfred Hitchcock When watching an Alfred Hitchcock movie, have you ever found yourself sympathizing with a deceptive seductress or a soon-to-be sex offender? If so, you may have felt guilt from watching such sexual innuendoes, but don’t feel too bad. This is just one of the intents of Alfred Hitchcock as he weaves many of his tales with sensual characters. His films portray a vast array of sexuality from showing a battle of the sexes and tales of romance toRead MoreReview Of Gone Girl 1188 Words   |  5 PagesGone Girl (2014) Mr Rhys Cassidy 12B 2015 Sir Alfred Hitchcock, director of several of the very first thriller films including his silent film The Lodger (1926), is believed to be the â€Å"Master of Suspense† (Ramirez Berg, 2015). Hitchcock was integral in creating the codes the codes and conventions of the thriller genre. These codes and conventions can be seen in some of Hitchcock’s films such as Vertigo (1958), Rope (1948) and Psycho (1960) as well as in every other thriller filmRead MoreThe Murder Of Innocent Civilians1425 Words   |  6 Pagesit and try to imagine the crime scene as well as the actual killing. It was not until the twentieth century, with the coming of films, that they could visually see the criminal’s deed as well as the carnage carried out. One film in particular, Rope, by Alfred Hitchcock, attempts to derive from the status quo of murder films and instead focuses on the ideals that drove the murderers. The film is loosely based on the murder case of Nathan Leopold and Richard Lo eb, two young adults who murdered an affluentRead MoreThe Suspense Of Hitchcock s Suspense1839 Words   |  8 Pageswithholding of knowledge creates the perfect atmosphere for Hitchcock’s suspense. The looming absence controls the scope of the film and is what makes Hitchcock the successful suspense director he is today. The absence is where the anticipation lies and there’s an irony of the absent taking form, the black humor underneath, and the suspense it brings. Rope and Rear window shows absence through murder, which creates suspicion and suspense for viewers. In Rope, it’s very ironic to have their murdered friend beRead MoreRear Window Comparison1118 Words   |  5 PagesRear Window (1954) and Dial M for Murder (1954) both cover a narrative about a man wanting to kill his wife but from two different perspectives. Director Alfred Hitchcock’s films, Rear Window and Dial M for Murder both utilize excellent visual imagery. Rear Window follows a newspaper photographer, L.B. ‘Jeff’ Jefferies (James Stewart), who has a broken leg and passes the time by watching his neighbors. Jeff observes many neighbors including a jewelry salesman, Lars Thorwald (Raymond Burr) who has