THE ESSAY: As in poetry and the short story, the try grew in many ways: in variety of subject, form, and entitle; in the number f productive authors; in he quantity and quality of their works. The old guard, composed of Romulo and his contemporaries, continued paper into this period, achieving stature and influence as editorial writers. Similarly, Vicente Albano Pacis, Federico Mangahas, Salvador P. Lopez, Jose A. Lansang, Ariston Estrada, and Pura S. Castrence distinguished themselves in political, social, and other reflective types of essay, largely through the newspaper towboats. Ignacio Manlapaz, SalvadorP. Lopez I. V. Mallari, Jose Gacia Villa, Arturo B. Rotor, and Leopoldo Y.Yabes wrote criticism that compelled attention and directed creative writing, and was in itself significant writing, Solomon V. Arnaldo, F. B. Icaiano (Mang KikoÂ), Alfredo D. Litiatco, Armando G. Dayrit, and Consuelo Grau (CatucaÂ) enliven the scene with light-hearted and charming personal essays.
        Three collections of essays stood out from the suspension during this period. Thinking for Ourselves, edited by Eliseo Quirino and Vicente M Hilario (1924), which contained the best, most heavy and most challenging essays, original and translated, of Filipino scholars and leaders (1924); books and Society nby Salvador P.
Lopez (1940), the prize-winning essay collection in the 1940 Commonwealth literary Contest, consisting of reflective, critical, and otherwise serious essays; and Horizons from My Nipa Hut, by Mang Kiko (pseudonym of F. B. Icasiano)which were reprints of the best of Icasianos essays antecedently published in Sunday Tribune Magazine under the column head From My Nipa HutÂ. Printed in 1941, Horizons is a musical accompaniment from Lopezs soberly thoughtful Literature and Society. It is delightfully of the people, for even its philosophic passages are stamped with the gentle humor and broad sympathy that draw and quarter the common tao./ In 1940 also,Camilo Osias published concept and...
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